2025 關渡國際自然藝術季 Guandu International Nature Art Festival

藝術家
Arvydas Ališanka (立陶宛)

地點
海岸林區

材料
木材、釘子、金屬棍

理念
鳥在築巢的過程中，有一種角色的轉換。
人像鳥一樣，為自己建造一個鳥形的「巢」。
由雕刻家和當地人的雙手創造出的大型鳥類變成了藝術品。
《白頭翁》是我對綠色想像的體現，也是我對大自然的致敬。
您可以進入雕塑，成為它的一部分，受到保護。
我的庇護所是人性化的， 它不是為了鳥類，而是為了人類，因為他們的綠色思考，才能提高環保意識。

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Artist｜Arvydas Ališanka (Lithuania)

Location｜Coastal Forest

Materials｜wood, nails, metal rod

Statement｜
As birds build their nests, there is a reversal of roles. Man, like a bird, constructs a bird-shaped “nest” for himself.
Large scale bird created by the sculptor’s and the local people's hands turn into an artifact.
You can enter the sculpture and become part of it, be protected. My shelter is humanistic- it is not for birds, but for humans, they should be protected too as their green minds and thinking about raising environment awareness.

藝術家
Herb Parker , Seven Parker (美國)

地點
野溪旁空地

材料
竹、蘆葦、麻繩

理念
關渡三體將是一個由三個結構組成的系列，由竹子和當地蘆葦製成的茅草屋頂構成。
內部將會設置座椅，讓進入作品的人們可以對視，以創造一個對話或沉思的空間。
進到藝術品的觀眾將能沉浸在自然環境的觸感、氣味及聲響當中，也能理解到人類在自然環境中需要庇護所的歷史。

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Artists｜Herb Parker, Seven Parker (USA)

Location｜Open space by the wild stream

Materials｜bamboo, reed, hemp rope

Statement｜
This work consists of three equal structures that will serve as a quiet refuse or a place for dialogue. We will create a private individual space with an equilateral triangular axis connecting the compound. Each structure will have a seating element inside and be visible from the other two structures. The work will be constructed with bamboo and indigenous reeds as a thatching material for the roofs. The audience will be immersed in the touch, smell and sounds of nature and be reminded of history in the need for shelter.

藝術家
Ieke Trinks (荷蘭)

地點
1號賞鳥小屋

材料
紙本問卷、藤蔓、樹枝、竹子、麻繩

理念
Ieke Trinks 針對地點、時間和公眾存在，創作微妙、以過程為基礎的表演。在關渡自然公園，她反思高能源消耗的現代生活方式，當中也包括她自己的生活方式。作為計劃的一部分，她在公園中找出幾個地點，並命名為「能量點」。在每個地點，遊客都會被邀請遵循一個小指示，並採取簡單的行動。透過這些接觸，她鼓勵人們反思我們的生活、消費以及與自然世界的聯繫方式。歡迎您尋找這些地點，並花一點時間停頓、觀察和參與。

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Artist｜Ieke Trinks (Netherlands)

Location｜Birdwatching Cabin No.1

Materials｜paper questionnaire, vine, branches, bamboo, hemp rope

Statement｜
Ieke Trinks creates subtle, process-based performances in response to place, time, and public presence. At Guandu Nature Park, she reflects on modern lifestyles with high energy consumption—her own included. As part of her project, she identified several locations in the park and named them Energy Conservation Spots. At each spot, visitors are invited to follow a small instruction and take simple actions. Through these encounters, Trinks encourages reflection on how we live, consume, and connect with the natural world. You are invited to seek out the spots and take a moment to pause, observe, and engage.

藝術家
Bonggi Park (韓國)

地點
自然中心後草坡

材料
竹、細鐵絲、麻繩

理念
本作品始於自然即為解方的信念，面對生態失衡和靈性脫節，我們必須回歸蕴含在自然世界中的智慧。
使用竹子這種兼具彈性和柔性的材料，《呼吸》體現了和諧、生命循環和有機平衡的理念。
圓頂狀的結構模擬了有節奏的呼吸模式，提供一個兼具保護性與通透性的空間。
參觀者步入其中，便像是進入了一個冥想室，在這裡，光線和空氣自由流動。
這種體驗鼓勵人們透過大自然與自我重新連結，邀請您靜止和反思。
《呼吸》不僅僅是一座雕塑，更是一個有生命的結構—一個與世界一起呼吸的象徵有機體，與世界一起呼吸，它將人類、自然和空間之間持續不斷的循環關係形象化，為我們的環境和生存挑戰提供詩意的回應。

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Artist｜Bonggi Park (Republic of Korea)

Location｜Grass Hill in back of the Nature Center

Materials｜bamboo, thin wire, hemp rope

Statement｜
This work begins with the belief that nature is the solution.
In the face of ecological imbalance and spiritual disconnection, we must return to the wisdom embedded in the natural world.
Using bamboo—a material both resilient and flexible—Breath embodies the ideas of harmony, life circulation, and organic balance. The dome-like structure mimics the rhythmic pattern of breathing, offering a space that is both protective and permeable.
As visitors step inside, they enter a meditative chamber where light and air flow freely.
The experience encourages a reconnection with the self through nature, inviting stillness and reflection.
Breath is not merely a sculpture, but a living structure—a symbolic organism that breathes with the world. It visualizes the continuous, cyclical relationship between human, nature, and space, offering a poetic response to our environmental and existential challenges.

藝術家
陳俊文、盧子涵、陳亞馨
(國立臺北藝術⼤學藝術與⼈⽂教育研究所)
臺北市立關渡國民中學
指導老師：陳忻蔓、李昀儒、廖翊含
參與班級：801、802、803班

地點
親蟹平台

材料
棉布、泥染染料、棉繩、自然素材

理念
《我是彈塗魚》是與關渡國中協同共創的跨領域自然藝術，內容結合身體遊戲、劇本演出與泥染工藝，讓學生從彈塗魚出發，思考氣候災害下的適應策略，最後運用自然素材製作作品與展示呈現，透過一系列藝術活動探索自身與關渡濕地的連結。

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Artists｜Chun-Wen Chen, Tzu-Han Lu, Ya-Hsin Chen (Taiwan)
Graduate Institute of Arts and Humanities Education at Taipei National University of the Arts
Taipei Municipal Guandu Junior High School (Taiwan)

Location｜Crab Watching Arear

Materials｜cotton fabric, mud cloth dye, nature materials

Statement｜
“I, Mudskipper” is a cross-disciplinary natural art project co-created with Taipei Municipal Guandu Junior High School.
It combines physical games, scripted performances, and mud dyeing techniques.
The project allows students to think if they’re mudskippers then think about adaptation strategies in the face of climate disasters.
Finally, they use natural materials to create and display their works, exploring their connection with the Guandu Wetland through a series of artistic activities.

藝術家
企業參與：緯創人文基金會／ 緯創資通 X 李蕢至(臺灣)

地點
海岸林區

材料
竹、藤、鋼筋

理念
由環境藝術家李蕢至帶領52位緯創志工同仁，共同創作高達6公尺的大型環境藝術作品《浮脈》。創作靈感來自關渡自然公園中榕樹與濕地共生的生態，氣根幫助榕樹扎根濕地，也支持著多樣生命的共生循環。
「浮」象徵順勢與彈性的生命狀態，「脈」則指向萬物間流動的潛在連結，透過三道交織的氣根結構，創造出一處讓人放鬆腳步、自在停留、感知環境的空間，象徵人們走入榕樹的心，從根出發與自然對話，重新認識自己與土地的關係。

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Artists｜Corporate participation: Wistron Foundation／ Wistron Corporation X Kuei-Chih Lee (Taiwan)

Location｜Coastal Forest

Materials｜bamboo, rattan, rebars

Statement｜
Led by environmental artist Kuei-Chih Lee, 52 Wistron volunteers collaborated to create " Aerial Habitat",a massive environmental art piece standing 6 meters tall.
The artwork was inspired by the symbiotic relationship between banyan trees and wetlands at Guandu Nature Park, where the banyan's aerial roots help it take root in the wetlands while also supporting a diverse cycle of life.
The title "Aerial" represents a flexible, adaptable state of being, while "Habitat" signifies the subtle, interconnected relationships among all living things. The artwork's three interwoven aerial root structures create a space for people to slow down, relax, and connect with their surroundings. It invites visitors to metaphorically enter the heart of the banyan, starting from its roots, to engage in a dialogue with nature and rediscover their relationship with the land.

藝術家
廖柏森、鄭立祺

地點
心濕地解說站

材料
木板，竹子，文件，書籍，自然物

理念
回顧展是一種共時與歷時的展演事件，也是時空與空間維度匯集之處。
這件作品採關渡的環境特徵-「河流」(淡水河與基隆河/或是流經公園的兩條小溪)來做一種象徵。
「人不能兩次踏進同一條河流」希臘哲學-赫拉克利特這樣說道，當回顧過往，宛如岸邊觀河，並非靜止不動。自然與人的關係亦是如此，在自然與藝術的交流之處，是新的方向、理解、探索的開始。

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Artists｜Bo-Sen Liao, Li-Qi Zheng (Taiwan)

Location｜Interpretation Station

Materials｜wooden borad, bamboo, files, books, nature materials

Statement｜
Retrospective exhibition is a synchronic and diachronic event.
It also is a place where time and space converge.
This artwork uses the environmental characteristics of Guandu—the rivers (Tamsui River and Keelung River, or the two small creeks that flow through the park)—as a symbol.
“No man ever steps in the same river twice,” said the Greek philosopher Heraclitus.
When we look back on the past, it is like watching a river from the shore—it is not static. The relationship between nature and humans is the same.
At the intersection of nature and art, there is the beginning of new directions, understanding, and exploration.